Jenny glam perfect gonzo video hd4/28/2024 ![]() So she stuck the disc into her computer and listened to it immediately, and liked it.” The woman liked it so much, in fact, that she put a sticky note on the disc and placed it on top of a heap of to-be-listened-to discs. When we handed the woman the demo and split so quickly and haphazardly, she thought it was so bizarre and weird that a band would do that. “I was talking to one of the head A&R guys who told me what happened. ![]() He didn’t learn the complete story until about a year after that. It proved to be a successful gambit, as Sub Pop contacted Craft about a month later. I was really nervous, so I just said something quick like, ‘here’s our album, we’re a band from Louisiana, ‘bye!'” “We snuck into the office, and I gave the receptionist the demo we had. “I didn’t want to walk in there and get ripped apart by these people.” Eventually, he relented. “I looked at Sub Pop’s demo policy, which was like, ‘Send your shit here, we probably won’t listen to it, and if we do, we probably won’t like it,’ or something like that,” he says. When they made their way to Seattle, the two other band members attempted to convince Craft to drop off a demo CD at the offices of the legendary Sub Pop Records. Moving to Austin, Texas, he formed a band with his best friend and girlfriend, winding their way up the Pacific Northwest for gigs. “The songs I wrote back then were insanely horrible,” he says, “But I’ve always enjoyed the writing part more than anything else.” “It was not my thing” – as well as songwriting and brief stints in bands. This early obsession eventually led to a teenage Craft teaching himself the guitar – “I experimented very briefly with lessons,” he says. “I’d be playing with these toys to ‘Life on Mars’ and ‘Ziggy Stardust.’ I think it was just the magnetism of David Bowie that got me.” “I would be playing with my Star Wars figurines on the porch and had this little portable CD player,” Craft recalls. It was during those formative Louisiana years that Craft, having just seen the David Bowie film Labyrinth, walked into a store to pick up the film’s soundtrack but instead left with a Bowie compilation CD. The new album, produced by fellow Portland resident Chris Funk of the Decemberists, benefits from a full-band sound and Craft’s constantly maturing songwriting, which he began to hone as a small town kid in Louisiana. The retro stylings Craft grew up loving have their glam/folk fingerprints all over his 2016 debut album, Dolls of Highland, and are perhaps even more present on his upcoming follow-up release, Full Circle Nightmare, which comes out 2 February on Sub Pop Records. So I always end up moving back to that music no matter how far away I get from it.” Every time I start to like something else, I always end up saying, ‘Well, I like this, but it’s not ‘Like a Rolling Stone’ or ‘After the Gold Rush’ or Sticky Fingers. “I love Dylan, the Stones, Neil Young,” the Louisiana native says from his home in his adopted town of Portland, Oregon. ![]() While it may be a cliché to refer to Craft as an “old soul”, he’s perfectly happy being compared to older, classic acts. Singer/songwriter Kyle Craft turned 29 this month, but the music he makes feels right at home among ’60s folk and ’70s glam.
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